|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn
The Slaughterd Ox (mk08)
1655
Oil on Panel,
94x67cm
Paris,Musee National du Louvre
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn
The Descent from the Cross (mk08)
1633
Oil on panel
89.4x65.2cm
Munich,Bayerische-taatsgemaldesamm-lungen,Alte Pinakothek
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn
The Syndics of the Amsterdam Clothmakers'Guild (mk08)
1662
Oil on canvas,
191.5x279cm
Amsterdam,Rijksmuseum
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn
Aristotle Contemplating the Bust of Homer (mk08)
1653
Oil on canvas.
143.5x136.5cm
New York,The Metropolitan Museum of Art
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn
Portrait of the Artist's Mother (mk25)
c 1629
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn
The Shipbuilder and his Wife (mk25)
1633
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn
Christ and St Mary Magdalene at the Tomb (mk25)
1638
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn
The Femish Bride (mk33)
c.1665
Amsterdam,Rijksmuseum
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn
Datail of The femish Bride (mk33)
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn
Datail of The femish Bride (mk33
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn
Datail of The femish Bride (mk33)
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn
Datail of The femish Bride (mk33)
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn
Datail of The femish Bride (mk33)
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn
Datail of The femish Bride (mk33)
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn
Datail of The femish Bride (mk33)
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn
Datail of The femish Bride (mk33)
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn
Datail of The femish Bride (mk33)
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn
Datail of The femish Bride (mk33)
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn
Datail of The femish Bride (mk33)
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
REMBRANDT Harmenszoon van Rijn
Self-Portrait (mk33)
1629
The Hague,Mauritshuis.
|
| |
|
|
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
| REMBRANDT Harmenszoon van Rijn
|
Born 1606, Died 1669.One of the great Dutch painters and printmakers of the 17th century, Rembrandt van Rijn is best known for his expressive use of light and shadow (also called chiaroscuro) in his many portraits. Raised in Leiden, he studied with Pieter Lastman (1583-1633) in Amsterdam, then returned to Leiden around 1625 and set up shop as a teacher and portrait artist. Sometime between 1630 and 1632 Rembrandt relocated to Amsterdam, where he spent the rest of his career. Though he had his detractors (some of whom considered him coarse and "low born"), Rembrandt was successful and famous during his lifetime, though he fell on financial hard times in his later years. He was a master printer and produced hundreds of group portraits and historical paintings, including The Anatomy Lesson of Dr. Tulp (1632), The Military Company of Captain Frans Banning Cocq (1642) and Aristotle with a Bust of Homer (1653). His portraits -- including a lifelong trail of intriguing and rather frank self-portraits -- reveal his interest in psychological study and continue to be admired as landmarks in Western art. The Military Company of Captain Frans Banning Cocq is also known as "The Night Watch" because it was thought the painting depicted a nighttime scene. When the painting was cleaned in the 1940s it became obvious that it depicted a daytime scene... He married Saskia van Ulenburgh (also Uylenburgh) in 1634.
|
